katherine dunham fun facts

As a graduate student in anthropology in the mid-1930s, she conducted dance research in the Caribbean. Birthday : June 22, 1909. This meant neither of the children were able to settle into a home for a few years. Katherine Dunham facts for kids. It was considered one of the best learning centers of its type at the time. In 1938 she joined the Federal Theatre Project in Chicago and composed a ballet, LAgYa, based on Caribbean dance. ", Examples include: The Ballet in film "Stormy Weather" (Stone 1943) and "Mambo" (Rossen 1954). Named Marie-Christine Dunham Pratt, she was their only child. [50] Both Dunham and the prince denied the suggestion. Check out this biography to know about his childhood, family life, achievements and fun facts about him. Katherine Dunham, was mounted at the Women's Center on the campus. Grow your vocab the fun way! In 1921, a short story she wrote when she was 12 years old, called "Come Back to Arizona", was published in volume 2 of The Brownies' Book. While every effort has been made to follow citation style rules, there may be some discrepancies. Even in retirement Dunham continued to choreograph: one of her major works was directing the premiere full, posthumous production Scott Joplin's opera Treemonisha in 1972, a joint production of the Atlanta Symphony Orchestra and the Morehouse College chorus in Atlanta, conducted by Robert Shaw. Dunham had one of the most successful dance careers in American and European theater of the 20th century, and directed her own dance company for many years. During these years, the Dunham company appeared in some 33 countries in Europe, North Africa, South America, Australia, and East Asia. As Wendy Perron wrote, "Jazz dance, 'fusion,' and the search for our cultural identity all have their antecedents in Dunham's work as a dancer, choreographer, and anthropologist. Katherine Dunham is the inventor of the Dunham technique and a renowned dancer and choreographer of African-American descent. Jobson, Ryan Cecil. Katherine Dunham, was published in a limited, numbered edition of 130 copies by the Institute for the Study of Social Change. Katherine Dunham on dance anthropology. After Mexico, Dunham began touring in Europe, where she was an immediate sensation. Despite these successes, the company frequently ran into periods of financial difficulties, as Dunham was required to support all of the 30 to 40 dancers and musicians. Katherine Dunham (born June 22, 1909) [1] [2] was an American dancer, choreographer, and anthropologist. Dunham early became interested in dance. At the time, the South Side of Chicago was experiencing the effects of the Great Migration were Black southerners attempted to escape the Jim Crow South and poverty. When you have faith in something, it's your reason to be alive and to fight for it. Some Facts. Kraut, Anthea. Birth Year: 1956. Dunham early became interested in dance. ", "Dunham's European success led to considerable imitation of her work in European revues it is safe to say that the perspectives of concert-theatrical dance in Europe were profoundly affected by the performances of the Dunham troupe. Early in 1936, she arrived in Haiti, where she remained for several months, the first of her many extended stays in that country through her life. Dunham was active in human rights causes, and in 1992 she staged a 47-day hunger strike to highlight the plight of Haitian refugees. Katherine Dunham in a photograph from around 1945. Her mother, Fanny June Dunham, who, according to Dunham's memoir, possessed Indian, French Canadian, English and probably African ancestry, died when Dunham was four years old. The group performed Dunham's Negro Rhapsody at the Chicago Beaux Arts Ball. Ruth Page had written a scenario and choreographed La Guiablesse ("The Devil Woman"), based on a Martinican folk tale in Lafcadio Hearn's Two Years in the French West Indies. Katherine Dunham: The Artist as Activist During World War II. One recurring theme that I really . In December 1951, a photo of Dunham dancing with Ismaili Muslim leader Prince Ali Khan at a private party he had hosted for her in Paris appeared in a popular magazine and fueled rumors that the two were romantically linked. Known for her many innovations, Dunham developed a dance pedagogy, later named the Dunham Technique, a style of movement and exercises based in traditional African dances, to support her choreography. Example. Using some ballet vernacular, Dunham incorporates these principles into a set of class exercises she labeled as "processions". [7] The family moved to a predominantly white neighborhood in Joliet, Illinois. Video footage of Dunham technique classes show a strong emphasis on anatomical alignment, breath, and fluidity. [60], However, this decision did not keep her from engaging with and highly influencing the discipline for the rest of her life and beyond. It was not a success, closing after only eight performances. She did not complete the other requirements for that degree, however, as she realized that her professional calling was performance and choreography. During this time, she developed a warm friendship with the psychologist and philosopher Erich Fromm, whom she had known in Europe. Facts about Alvin Ailey talk about the famous African-American activist and choreographer. This was followed by television spectaculars filmed in London, Buenos Aires, Toronto, Sydney, and Mexico City. He needn't have bothered. [20] She recorded her findings through ethnographic fieldnotes and by learning dance techniques, music and song, alongside her interlocutors. Born in 1909 during the turn of the century Victorian era in the small town of Glen Ellyn, Illinois, she became one of the first dance anthropologists, started the first internationally-touring pre-dominantly black dance company . In the 1970s, scholars of Anthropology such as Dell Hymes and William S. Willis began to discuss Anthropology's participation in scientific colonialism. 10.1093/acprof:oso/9780190264871.003.0001, "Dunham Technique: Fall and recovery with body roll", "Katherine Dunham on need for Dunham Technique", "The Negro Problem in a Class Society: 19511960 Brazil", "Katherine Dunham, Dance Icon, Dies at 96", "Candace Award Recipients 19821990, Page 1", "Katherine the Great: 2004 Lifetime Achievement Awardee Katherine Dunham", Katherine Dunham's Dance as Public Anthropology, Katherine Dunham on her anthropological films, Guide to the Photograph Collection on Katherine Dunham, Katherine Dunham's oral history video excerpts, "Katherine Dunham on Overcoming 1940s Racism", Katherine Dunham Centers for Arts and Humanities, Recalling Choreographer and Activist Dunham, "How Katherine Dunham Revealed Black Dance to the World", Katherine Dunham, Dance Pioneer, Dies at 96, "On Stage and Backstage withTalented Katherine Dunham, Master Dance Designer", https://en.wikipedia.org/w/index.php?title=Katherine_Dunham&oldid=1139015494, American people of French-Canadian descent, 20th-century African-American politicians, Short description is different from Wikidata, Pages using infobox person with multiple spouses, Creative Commons Attribution-ShareAlike License 3.0, In 1971 she received the Heritage Award from the, In 1983 she was a recipient of one of the highest artistic awards in the United States, the. She taught dance lessons to help pay for her education at the University of Chicago. In 1987 she received the Samuel H. Scripps American Dance Festival Award, and was also inducted into the. In 2000 she was named one of the first one hundred of "America's Irreplaceable Dance Treasures" by the Dance Heritage Coalition. [13] The Anthropology department at Chicago in the 1930s and 40s has been described as holistic, interdisciplinary, with a philosophy of liberal humanism, and principles of racial equality and cultural relativity. But what set her work even further apart from Martha Graham and Jos Limn was her fusion of that foundation with Afro-Caribbean styles. It next moved to the West Coast for an extended run of performances there. Alvin Ailey, who stated that he first became interested in dance as a professional career after having seen a performance of the Katherine Dunham Company as a young teenager of 14 in Los Angeles, called the Dunham Technique "the closest thing to a unified Afro-American dance existing.". She made national headlines by staging a hunger strike to protest the U.S. governments repatriation policy for Haitian immigrants. This gained international headlines and the embarrassed local police officials quickly released her. 3 (1992): 24. : Writings by and About Katherine Dunham. [28] Strongly founded in her anthropological research in the Caribbean, Dunham technique introduces rhythm as the backbone of various widely known modern dance principles including contraction and release,[29] groundedness, fall and recover,[30] counterbalance, and many more. From the 40s to the 60s, Dunham and her dance troupe toured to 57 countries of the world. Fun Facts. 288 pages, Hardcover. Anna Kisselgoff, a dance critic for The New York Times, called Dunham "a major pioneer in Black theatrical dance ahead of her time." In 1945, Dunham opened and directed the Katherine Dunham School of Dance and Theatre near Times Square in New York City. The Washington Post called her "dancer Katherine the Great." [5] She had an older brother, Albert Jr., with whom she had a close relationship. Dunham was born in Chicago on June 22, 1909. Photo provided by Southern Illinois University Carbondale, Morris Library Special Collections Research Center. As I document in my book Katherine Dunham: Dance and the . [2] Most of Dunham's works previewed many questions essential to anthropology's postmodern turn, such as critiquing understandings of modernity, interpretation, ethnocentrism, and cultural relativism. However, it has now became a common practice within the discipline. About that time Dunham met and began to work with John Thomas Pratt, a Canadian who had become one of America's most renowned costume and theatrical set designers. April 30, 2019. Alumnae include Eartha Kitt, Marlon Brando and Julie Belafonte. She also continued refining and teaching the Dunham Technique to transmit that knowledge to succeeding generations of dance students. As a result, Dunham would later experience some diplomatic "difficulties" on her tours. This was the beginning of more than 20 years during which Dunham performed with her company almost exclusively outside the United States. [11], During her time in Chicago, Dunham enjoyed holding social gatherings and inviting visitors to her apartment. In 1948, she opened A Caribbean Rhapsody, first at the Prince of Wales Theatre in London, and then took it to the Thtre des Champs-lyses in Paris. Her fieldwork inspired her innovative interpretations of dance in the Caribbean, South America, and Africa. She is known for her many innovations, one of her most known . However, fully aware of her passion for both dance performance, as well as anthropological research, she felt she had to choose between the two. The troupe performed a suite of West Indian dances in the first half of the program and a ballet entitled Tropic Death, with Talley Beatty, in the second half. Dunham also studied ballet with Mark Turbyfill and Ruth Page, who became prima ballerina of the Chicago Opera. Katherine Dunham is credited Her dance troupe in venues around. Dunham technique is also inviting to the influence of cultural movement languages outside of dance including karate and capoeira.[36]. Back in the United States she formed an all-black dance troupe, which in 1940 performed her Tropics and Le Jazz . Omissions? Her many original works include Lagya, Shango and Bal Negre. Through much study and time, she eventually became one of the founders of the field of dance anthropology. Her mission was to help train the Senegalese National Ballet and to assist President Leopold Senghor with arrangements for the First Pan-African World Festival of Negro Arts in Dakar (196566). He was only one of a number of international celebrities who were Dunham's friends. The program included courses in dance, drama, performing arts, applied skills, humanities, cultural studies, and Caribbean research. Alvin Ailey later produced a tribute for her in 198788 at Carnegie Hall with his American Dance Theater, entitled The Magic of Katherine Dunham. In Hollywood, Dunham refused to sign a lucrative studio contract when the producer said she would have to replace some of her darker-skinned company members. Additionally, she worked closely with Vera Mirova who specialized in "Oriental" dance. Her technique was "a way of life". Much of the literature calls upon researchers to go beyond bureaucratic protocols to protect communities from harm, but rather use their research to benefit communities that they work with. While in Haiti, Dunham investigated Vodun rituals and made extensive research notes, particularly on the dance movements of the participants. She was instrumental in getting respect for Black dancers on the concert dance stage and directed the first self-supported Black dance company. In addition, Dunham conducted special projects for African American high school students in Chicago; was artistic and technical director (196667) to the president of Senegal; and served as artist-in-residence, and later professor, at Southern Illinois University, Edwardsville, and director of Southern Illinoiss Performing Arts Training Centre and Dynamic Museum in East St. Louis, Illinois. Her popular books are Island Possessed (1969), Touch of Innocence (1959), Dances of Haiti (1983), Kaiso! In 1967 she officially retired, after presenting a final show at the famous Apollo Theater in Harlem, New York. In my mind, it's the most fascinating thing in the world to learn".[19]. Actress: Star Spangled Rhythm. After running it as a tourist spot, with Vodun dancing as entertainment, in the early 1960s, she sold it to a French entrepreneur in the early 1970s. Dunham refused to hold a show in one theater after finding out that the city's black residents had not been allowed to buy tickets for the performance. Charm Dance from "L'Ag'Ya". Pratt, who was white, shared Dunham's interests in African-Caribbean cultures and was happy to put his talents in her service. In 1963, she became the first African American to choreograph for the Met since Hemsley Winfield set the dances for The Emperor Jones in 1933. While in Haiti, she hasn't only studied Vodun rituals, but also participated and became a mambo, female high priest in the Vodun religion. Dunham had one of the most successful dance careers in African-American and European theater of the 20th . The schools she created helped train such notables as Alvin Ailey and Jerome Robbins in the "Dunham technique." Death . Jeff Dunham hails from Dallas, Texas. Beda Schmid. Best Known For: Mae C. Jemison is the . The original two-week engagement was extended by popular demand into a three-month run, after which the company embarked on an extensive tour of the United States and Canada. Her field work in the Caribbean began in Jamaica, where she lived for several months in the remote Maroon village of Accompong, deep in the mountains of Cockpit Country. It opened in Chicago in 1933, with a black cast and with Page dancing the title role. The highly respected Dance magazine did a feature cover story on Dunham in August 2000 entitled "One-Woman Revolution". Here are 10 facts about her fascinating life. Dunham, Katherine dnm . She established the Katherine Dunham Centers for Arts and Humanities in East St. Louis to preserve Haitian and African instruments and artifacts from her personal collection. In 1946, Dunham returned to Broadway for a revue entitled Bal Ngre, which received glowing notices from theater and dance critics. There she was able to bring anthropologists, sociologists, educational specialists, scientists, writers, musicians, and theater people together to create a liberal arts curriculum that would be a foundation for further college work. She was one of the first researchers in anthropology to use her research of Afro-Haitian dance and culture for remedying racist misrepresentation of African culture in the miseducation of Black Americans. Among her dancers selected were Marcia McBroom, Dana McBroom, Jean Kelly, and Jesse Oliver. Retrieved from the Library of Congress, . [13] Under their tutelage, she showed great promise in her ethnographic studies of dance. Her choreography and performances made use of a concept within Dance Anthropology called "research-to-performance". Deren is now considered to be a pioneer of independent American filmmaking. As Julia Foulkes pointed out, "Dunham's path to success lay in making high art in the United States from African and Caribbean sources, capitalizing on a heritage of dance within the African Diaspora, and raising perceptions of African American capabilities."[65]. She returned to the United States in 1936 informed by new methods of movement and expression, which she incorporated into techniques that transformed the world of dance. Katherine Dunham Facts that are Fun!!! Dunham had one of the most successful dance careers of the 20th century, and directed her own dance company for many years. Cruz Banks, Ojeya. Dunham and Kitt collaborated again in the 1970s in an Equity Production of the musical Peg, based on the Irish play, Peg O' My Heart. 1. for teaching dance that is still la'ag'ya , Shange , Veraruzana, nanigo. Unlike other modern dance creators who eschewed classical ballet, Dunham embraced it as a foundation for her technique. A dance choreographer. Her work helped send astronauts to the . The living Dunham tradition has persisted. [15], In 1935, Dunham was awarded travel fellowships from the Julius Rosenwald and Guggenheim foundations to conduct ethnographic fieldwork in Haiti, Jamaica, Martinique, and Trinidad studying the dance forms of the Caribbean. Her legacy was far-reaching, both in dance and her cultural and social work. In 1950, Sol Hurok presented Katherine Dunham and Her Company in a dance revue at the Broadway Theater in New York, with a program composed of some of Dunham's best works. She made world tours as a dancer, choreographer, and director of her own dance company. Childhood & Early Life. This led to a custody battle over Katherine and her brother, brought on by their maternal relatives. The Dunham Technique Ballet African Dancing Her favorite color was platinum Caribbean Dancing Her favorite food was Filet of Sole How she started out Ballet African Dance Caribbean Dance The Dunham Technique wasn't so much as a technique so Dana McBroom-Manno still teaches Dunham Technique in New York City and is a Master of Dunham Technique. Transforming Anthropology 20, no. Dunham and her company appeared in the Hollywood movie Casbah (1948) with Tony Martin, Yvonne De Carlo, and Peter Lorre, and in the Italian film Botta e Risposta, produced by Dino de Laurentiis. Short Biography. Dunham passed away on Sunday, May 21, 2006 at the age of 96. Dunham had one of the most successful dance careers of the 20th century, and directed her own dance company for many years. She was also consulted on costuming for the Egyptian and Ethiopian dress. Katherine Mary Dunham, 22 Jun 1909 - 21 May 2006 Exhibition Label Born Glen Ellyn, Illinois One of the founders of the anthropological dance movement, Katherine Dunham distilled Caribbean and African dance elements into modern American choreography. forming a powerful personal. and creative team that lasted. [59] She ultimately chose to continue her career in dance without her master's degree in anthropology. Search input Search submit button. Dunham was exposed to sacred ritual dances performed by people on the islands of Haiti and Jamaica. Dunham is a ventriloquist comedian and uses seven different puppets in his act, known by his fans as the "suitcase posse." His first Comedy Central Presents special premiered in 2003. Artists are necessary to social justice movements; they are the ones who possess a gift to see beyond the bleak present and imagine a better future. Writings by and about Katherine Dunham" , Katherine Dunham, 2005. American dancer and choreographer (19092006). Dunham, who died at the age of 96 [in 2006], was an anthropologist and political activist, especially on behalf of the rights of black people. Dunham married Jordis McCoo, a black postal worker, in 1931, but he did not share her interests and they gradually drifted apart, finally divorcing in 1938. In 1940, she formed the Katherine Dunham Dance Company, which became the premier facility for training dancers. In 1950, while visiting Brazil, Dunham and her group were refused rooms at a first-class hotel in So Paulo, the Hotel Esplanada, frequented by many American businessmen. The PATC teaching staff was made up of former members of Dunham's touring company, as well as local residents. Her father was of black ancestry, a descendant of slaves from West Africa and Madagascar, while her mother belonged to mixed French-Canadian and Native . She directed the Katherine Dunham School of Dance in New York, and was artist-in-residence at Southern Illinois University. 2023 The HistoryMakers. Beautiful, Justice, Black. Dance is an essential part of life that has always been with me. Died On : May 21, 2006. [13], Dunham officially joined the department in 1929 as an anthropology major,[13] while studying dances of the African diaspora. Banks, Ojeya Cruz. Katherine Dunham in 1956. "Katherine Dunham's Dance as Public Anthropology." Barrelhouse. The prince was then married to actress Rita Hayworth, and Dunham was now legally married to John Pratt; a quiet ceremony in Las Vegas had taken place earlier in the year. After the tour, in 1945, the Dunham company appeared in the short-lived Blue Holiday at the Belasco Theater in New York, and in the more successful Carib Song at the Adelphi Theatre. Admission is $10, or $5 for students and seniors, and hours are by appointment; call 618-875-3636, or 618-618-795-5970 three to five days in advance. Question 2. Most Popular #73650. There, he ran a dry cleaning business in a place mostly occupied by white people. He was the founder of Alvin Ailey American Dance Theater in New York City. She was a pioneer of Dance Anthropology, established methodologies of ethnochoreology, and her work gives essential historical context to current conversations and practices of decolonization within and outside of the discipline of anthropology. Birth Country: United States. Others who attended her school included James Dean, Gregory Peck, Jose Ferrer, Jennifer Jones, Shelley Winters, Sidney Poitier, Shirley MacLaine and Warren Beatty. Her dance company was provided with rent-free studio space for three years by an admirer and patron, Lee Shubert; it had an initial enrollment of 350 students. Dunham had been invited to stage a new number for the popular, long-running musical revue Pins and Needles 1940, produced by the International Ladies' Garment Workers Union. Dancers are frequently instructed to place weight on the balls of their feet, lengthen their lumbar and cervical spines, and breathe from the abdomen and not the chest. In August she was awarded a bachelor's degree, a Ph.B., bachelor of philosophy, with her principal area of study being social anthropology. In the summer of 1941, after the national tour of Cabin in the Sky ended, they went to Mexico, where inter-racial marriages were less controversial than in the United States, and engaged in a commitment ceremony on 20 July, which thereafter they gave as the date of their wedding. teaches us about the impact Katherine Dunham left on the dance community & on the world. Dancer, choreographer, and anthropologist Katherine Dunham was born on June 22, 1910, in Glen Ellyn, Illinois, a small suburb of . Her the best movie is Casbah. She also danced professionally, owned a dance company, and operated a dance studio. "Katherine Dunham: Decolonizing Anthropology through African American Dance Pedagogy." 2 (2012): 159168. There is also a strong emphasis on training dancers in the practices of engaging with polyrhythms by simultaneously moving their upper and lower bodies according to different rhythmic patterns. Initially scheduled for a single performance, the show was so popular that the troupe repeated it for another ten Sundays. Her work inspired many. Dancer, choreographer, composer and songwriter, educated at the University of Chicago. Digital Library. In 2000 Katherine Dunham was named America's irreplaceable Dance Treasure. Dunham became interested in both writing and dance at a young age. She was born on June 22, 1909 in Glen Ellyn, Illinois, a small suburb of Chicago, to Albert Millard Dunham, a tailor and dry cleaner, and his wife, Fanny June Dunham. Luminaries like Martha Graham, Doris Humphrey and Katherine Dunham began to shape and define what this new genre of dance would be. Q. Katherine Mary Dun ham was an African-American dancer, choreographer, author, educator, anthropologist, and social activist. Numerous scholars describe Dunham as pivotal to the fields of Dance Education, Applied Anthropology, Humanistic Anthropology, African Diasporic Anthropology and Liberatory Anthropology. A key reason for this choice was because she knew that through dance, her work would be able to be accessed by a wider array of audiences; more so than if she continued to limit her work within academia. As one of her biographers, Joyce Aschenbrenner, wrote: "anthropology became a life-way"[2] for Dunham. [9] In high school she joined the Terpsichorean Club and began to learn a kind of modern dance based on the ideas of Europeans [mile Jaques-Dalcroze] and [Rudolf von Laban]. 7 Katherine Dunham facts. [1] The Dunham Technique is still taught today. Over the years Katherine Dunham has received scores of special awards, including more than a dozen honorary doctorates from various American universities. After this well-received performance in 1931, the group was disbanded. However, she did not seriously pursue a career in the profession until she was a student at the University of Chicago. ..American Anthropologist.. 112, no. Articles from Britannica Encyclopedias for elementary and high school students. [8], Despite her choosing dance, Dunham often voiced recognition of her debt to the discipline: "without [anthropology] I don't know what I would have done.In anthropology, I learned how to feel about myself in relation to other people. Educate, entertain, and engage with Factmonster. "[48] During her protest, Dick Gregory led a non-stop vigil at her home, where many disparate personalities came to show their respect, such Debbie Allen, Jonathan Demme, and Louis Farrakhan, leader of the Nation of Islam. ", "Kaiso! The first work, entitled A Touch of Innocence: Memoirs of Childhood, was published in 1959. He lived on 5 January 1931 and passed away on 1 December 1989. At the height of her career in the 1940s and 1950s, Dunham was renowned throughout Europe and Latin America and was widely popular in the United States. The Katherine Dunham Museum is located at 1005 Pennsylvania Avenue, East St. Louis, Illinois. Her mother passed away when Katherine was only 3 years old. Throughout her distinguished career, Dunham earned numerous honorary doctorates, awards and honors. The State Department regularly subsidized other less well-known groups, but it consistently refused to support her company (even when it was entertaining U.S. Army troops), although at the same time it did not hesitate to take credit for them as "unofficial artistic and cultural representatives". . Childhood & Early Life. "Katherine Dunham: Decolonizing Anthropology Through African American Dance Pedagogy. In 1978, an anthology of writings by and about her, also entitled Kaiso! Kaiso is an Afro-Caribbean term denoting praise. [15] Dunham's relationship with Redfield in particular was highly influential. In recognition of her stance, President Aristide later awarded her a medal of Haiti's highest honor. In 1963, Dunham became the first African-American to choreograph for the Metropolitan Opera. However, after her father remarried, Albert Sr. and his new wife, Annette Poindexter Dunham, took in Katherine and her brother. Nationality. The Black Tradition in American Modern Dance. The company was located on the property that formerly belonged to the Isadora Duncan Dance in Caravan Hill but subsequently moved to W 43rd Street. Dunham's last appearance on Broadway was in 1962 in Bamboche!, which included a few former Dunham dancers in the cast and a contingent of dancers and drummers from the Royal Troupe of Morocco. movement and expression. As an African American woman, she broke barriers of race and gender, most notably as the founder of an important dance company that toured the United States, Latin America, Europe, Asia, and Australia for several decades. Facts About Katherine Dunham. Retrieved from the Library of Congress, . Katherine Dunham PhB'36. She was hailed for her smooth and fluent choreography and dominated a stage with what has been described as 'an unmitigating radiant force providing beauty with a feminine touch full of variety and nuance. Early in 1947 Dunham choreographed the musical play Windy City, which premiered at the Great Northern Theater in Chicago. In 1966, she served as a State Department representative for the United States to the first ever World Festival of Negro Arts in Dakar, Senegal. Then she traveled to Martinique and to Trinidad and Tobago for short stays, primarily to do an investigation of Shango, the African god who was still considered an important presence in West Indian religious culture. This is where, in the late 1960s, global dance legend Katherine Dunham put down roots and taught the arts of the African diaspora to local children and teenagers.

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